Spoilers Ahead: Although I don’t go very deep into the plot of the movie The Third Man (1949), some of my comments may reveal key plot twists and bits of dialogue that could detract from your enjoyment of the movie if you have yet to see it.
This post is part of the Great Villian Blogathon hosted by Ruth of Silver Screenings, Karen of Shadows & Satin, and Kristina of Speakeasy. Please visit any of those wonderful sites to read more posts about great movie villains.
Sometimes an actor or actress will appear in a movie for just a short amount of time but will still make an enormous impact that is felt for a long time afterward. There may be no better example of this than the appearance of Orson Welles in The Third Man (1949).
Although he doesn’t appear until a little over an hour into the film and only appears in a few key scenes, his character of Harry Lime is considered by many to be one of the most fascinating and mysterious movie villains of all time. And I know I’m not alone in thinking his first appearance in the film was one of the most “electrifying” in movie history.
One look at the expression on his face may be all you need to see to understand just how devious yet charismatic Harry Lime was. In his review of the movie, Roger Ebert described the entrance this way, “The sequence is unforgettable: the meow of the cat in the doorway, the big shoes, the defiant challenge by Holly, the light in the window, and then the shot, pushing in, on Lime’s face, enigmatic and teasing, as if two college chums had been caught playing a naughty prank.” Continue reading →