Spoilers Ahead: Although I don’t go very deep into the plot of the movie The Third Man (1949), some of my comments may reveal key plot twists and bits of dialogue that could detract from your enjoyment of the movie if you have yet to see it.
This post is part of the Great Villian Blogathon hosted by Ruth of Silver Screenings, Karen of Shadows & Satin, and Kristina of Speakeasy. Please visit any of those wonderful sites to read more posts about great movie villains.
Sometimes an actor or actress will appear in a movie for just a short amount of time but will still make an enormous impact that is felt for a long time afterward. There may be no better example of this than the appearance of Orson Welles in The Third Man (1949).
Although he doesn’t appear until a little over an hour into the film and only appears in a few key scenes, his character of Harry Lime is considered by many to be one of the most fascinating and mysterious movie villains of all time. And I know I’m not alone in thinking his first appearance in the film was one of the most “electrifying” in movie history.
One look at the expression on his face may be all you need to see to understand just how devious yet charismatic Harry Lime was. In his review of the movie, Roger Ebert described the entrance this way, “The sequence is unforgettable: the meow of the cat in the doorway, the big shoes, the defiant challenge by Holly, the light in the window, and then the shot, pushing in, on Lime’s face, enigmatic and teasing, as if two college chums had been caught playing a naughty prank.” Continue reading »
“This post is part of the James Stewart Blogathon hosted by the Classic Film & TV Cafe. You can view the complete blogathon schedule here.”
According to author Marc Eliot in his book, “Jimmy Stewart, a Biography,” Stewart had for some time wanted to make a movie about Glenn Miller, a man with whom he shared several things in common. They were both small town boys with music in their backgrounds and both had served in the Army Air Force. Stewart had long admired Miller’s work, and in 1953 he got his wish to play the trombonist, arranger and bandleader in the movie The Glenn Miller Story (1954).
For the making of the film, he was paired for the fourth time with director Anthony Mann, with the movie being their first non-western collaboration. Their partnership began in 1950 at Universal Pictures with the making of Winchester ’73 and ended with another western, The Far Country in 1954. Unfortunately, it was said that Mann didn’t really care for The Glenn Miller Story, but only took it on as a favor to Stewart.
Born Alton Glenn Miller on March 4, 1904, Miller and Stewart were born four years apart, which meant that Stewart was 46 years old when he played a 25-year-old Glenn Miller at the beginning of the film. In a very similar situation just a few years later, Stewart was 49 years old when he portrayed a 25-year-old Charles Lindbergh in the movie The Spirit of St. Louis (1957), a role he had to actively fight for because the producers thought that he was too old for the part.
The Glenn Miller Story (1954) traces the career of Glenn Miller from his early days as a struggling musician in the late 1920’s through his most successful years as the leader of his own band and the Army Air Force Band, and ends with his tragic death over the English Channel in 1944. Although the movie definitely took some liberties with some key facts as is often the case with many biopics, you can get a basic understanding of what the movie is about and learn more about Miller’s life by reading the biography page on his official site.
Much of the focus of the movie centers on Glenn Miller’s courtship and marriage to Helen Berger, who was played by June Allyson. Berger was his college sweetheart while they both attended the University of Colorado-Boulder. Stewart and Allyson were good friends off screen, and they played husband and wife on screen in two other films, The Stratton Story (1949) and Strategic Air Command (1955). Continue reading »
Barbara Stanwyck is my second favorite actress behind only Bette Davis, and as I’ve had the tendency to do with many of the classic movie actors and actresses that I love, I created an image in my mind of what I thought she was like in her personal life based on how I saw her in some of her movies. I even once compared her to comfort food in a review I did of her movie No Man of Her Own to convey the feeling of warmth and familiarity I got when watching her movies. Ah, the silly things I said as a new blogger!
Even though I knew some of the facts about her often times difficult life, reading Victoria Wilson’s book “A Life of Barbara Stanwyck: Steel-True 1907-1940” was still a bit of an eye opener for me, because I realized that in many ways Barbara was much different from the image I had created in my mind. That’s not necessarily a bad thing though, and it probably even made the book a more interesting and intriguing read.
Wilson spent close to 15 years doing research for the book, which she wrote with the full cooperation of Stanwyck’s family and friends. She utilized more than two-hundred interviews with actors, directors, cameramen, screenwriters, and costume designers as well as letters, journals, and private papers to create a very comprehensive look into the life and career of one of Hollywood’s most beloved actresses. And at over 1,000 pages (860 pages of text), the book only covers the first part of her career! Which means there’s much more great insight to come in a second volume. Continue reading »
Every once in a while it will dawn on me that I barely know anything about a certain actor or actress even though I’ve heard their name a million times and probably should be more familiar with them.
That happened to me again recently, this time in regard to actor Danny Kaye. All I really knew about him was that he starred in the movie White Christmas (1954), which is the only movie of his that I had seen up until this week. I don’t know why, but I always hate having to admit that about someone, even though it certainly wasn’t intentional!
After reading a blog post by speaker Barry Bradford titled Unexpected Movie Teams, I set out to watch the movie On the Riviera (1951), which starred Danny Kaye and Gene Tierney. It was in part because I figured it was about time I got to know more about Danny Kaye, but it really had more to do with the fact that I am a big fan of Gene Tierney.
I can’t say that the movie as a whole left that much of an impression on me, but Danny Kaye’s versatile performance and the things I learned about him while watching the DVD’s special feature called “A Portrait of Danny Kaye,” caused me to gain a new found respect and admiration for him. I had no idea he was such an interesting, multi-faceted person who certainly lived up to the quote below! Continue reading »
This week’s Saturday State Post highlights actors and actresses from both North and South Carolina. I am combining both in one post, not because I think they aren’t worthy of being covered individually, but I just simply could not find enough familiar names from South Carolina to fill a separate post.
A few of the actors and actresses from North and South Carolina are:
Born: November 10, 1885 in Beaufort, SC
Died: July 23, 1961 (age 75)
Known for the Movies: Curly Top, Fury, The Awful Truth, The Mortal Storm, Mr. and Mrs. Smith, Holiday Affair, The Egg and I, Monkey Business
My Favorite Esther Dale Movie: The Awful Truth
Interesting Facts About Esther Dale:
- Before she became an actress, she studied music in Berlin, Germany and had a career as a lieder singer. The Encyclopedia Britannica can explain what that means better than I can.
- She appeared in three of the nine Ma and Pa Kettle films that were made following the success of the The Egg and I (1947), the movie in which the characters first appeared.
Born: December 25, 1902 in Columbia, SC
Died: January 1, 1969 (age 66)
Married twice. He was married to his second wife Charlotte Wynters for 30 years.
Known for the Movies: High Sierra, Come Live With Me, Dr. Jekyll and Mr. Hyde, The Maltese Falcon, The Treasure of the Sierra Madre, The Glenn Miller Story
My Favorite Barton MacLaine Movie: The Glenn Miller Story Continue reading »
My heart is heavy today after learning of the passing of beloved film star, Shirley Temple Black. I’ve had a special affinity for Shirley ever since I first saw her in the movie Bright Eyes (1934) and fell in love with her sparkle and talent. I’ve enjoyed so many of her movies over the years including my ten favorites, which I wrote about a few years ago.
When I think of Shirley’s movies and some of my favorite scenes, the one that always seems to stand out and will forever be special to me was the song and dance routine she performed with co-star Buddy Ebsen, set to the song “At the Codfish Ball” in the movie Captain January (1936).
My thoughts and prayers go out to Shirley’s family and friends on this very sad day. Rest in peace, Shirley. Thank you for all the joy you brought to me and your many fans.